{"id":3423,"date":"2022-05-25T09:40:17","date_gmt":"2022-05-25T09:40:17","guid":{"rendered":"https:\/\/kuenstlerische-interventionen.de\/?p=3423"},"modified":"2022-06-21T15:51:56","modified_gmt":"2022-06-21T15:51:56","slug":"cervetto","status":"publish","type":"post","link":"https:\/\/kuenstlerische-interventionen.de\/en\/symposium-detail\/cervetto\/","title":{"rendered":"Renata Cervetto"},"content":{"rendered":"<p><figure id=\"attachment_3424\" aria-describedby=\"caption-attachment-3424\" style=\"width: 450px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3424 size-full\" src=\"https:\/\/kuenstlerische-interventionen.de\/wp-content\/uploads\/2022\/05\/Formatiert.jpg\" alt=\"\" width=\"450\" height=\"450\" srcset=\"https:\/\/kuenstlerische-interventionen.de\/wp-content\/uploads\/2022\/05\/Formatiert.jpg 450w, https:\/\/kuenstlerische-interventionen.de\/wp-content\/uploads\/2022\/05\/Formatiert-300x300.jpg 300w, https:\/\/kuenstlerische-interventionen.de\/wp-content\/uploads\/2022\/05\/Formatiert-150x150.jpg 150w, https:\/\/kuenstlerische-interventionen.de\/wp-content\/uploads\/2022\/05\/Formatiert-250x250.jpg 250w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><figcaption id=\"caption-attachment-3424\" class=\"wp-caption-text\">\u00a9 private<\/figcaption><\/figure><\/p>\n<p><strong>Renata Cervetto<\/strong> was born in Buenos Aires in 1985.She holds a degree in Art History (Universidad de Buenos Aires, 2011) and graduated from the curatorial programme at the Appel Arts Centre in Amsterdam (2013-2014). In 2014, she obtained the first Curatorial Fellowship granted by the Ammodo Foundation (NL), for which she researched artistic and curatorial practices in dialogue with pedagogy. This practical and theoretical work has been compiled in the book The Fellow Reader #1. On Boycotts, Censorship and Educational Practices (de Appel art centre, 2014). Between 2015 and 2018, she was Coordinator of the Education area of MALBA (Museo de Arte Latinoamericano de Buenos Aires). In 2016, she co-edited the publication Ag\u00edtese antes de usar. Desplazamientos educativos, sociales y art\u00edsticos en Am\u00e9rica Latina, together with Miguel A. L\u00f3pez (TEOR\/\u00e9Tica and MALBA. 2017). Between 2019 and 2020, she was curator of the 11th Berlin Biennale, The cracks begin within, together with Agust\u00edn P\u00e9rez Rubio, Mar\u00eda Berr\u00edos and Lisette Lagnado. In March 2022, she was awarded one of<a href=\"https:\/\/www.hablarenarte.com\/es\/proyecto\/id\/mar-plataforma-de-mediacin-artstica-y-nuevas-institucionalidades\"> MAR<\/a>&#8216;s research grants, where she investigates the dialogues developed during the last 15 years between Latin America and Spain around artistic-pedagogical practices. She currently lives and works in Madrid.<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Renata Cervetto was born in Buenos Aires in 1985.She holds a degree in Art History (Universidad de Buenos Aires, 2011) and graduated from the curatorial programme at the Appel Arts Centre in Amsterdam (2013-2014). In 2014, she obtained the first Curatorial Fellowship granted by the Ammodo Foundation (NL), for which she researched artistic and curatorial [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-symposium.php","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"_links":{"self":[{"href":"https:\/\/kuenstlerische-interventionen.de\/en\/wp-json\/wp\/v2\/posts\/3423"}],"collection":[{"href":"https:\/\/kuenstlerische-interventionen.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kuenstlerische-interventionen.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kuenstlerische-interventionen.de\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kuenstlerische-interventionen.de\/en\/wp-json\/wp\/v2\/comments?post=3423"}],"version-history":[{"count":3,"href":"https:\/\/kuenstlerische-interventionen.de\/en\/wp-json\/wp\/v2\/posts\/3423\/revisions"}],"predecessor-version":[{"id":3701,"href":"https:\/\/kuenstlerische-interventionen.de\/en\/wp-json\/wp\/v2\/posts\/3423\/revisions\/3701"}],"wp:attachment":[{"href":"https:\/\/kuenstlerische-interventionen.de\/en\/wp-json\/wp\/v2\/media?parent=3423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kuenstlerische-interventionen.de\/en\/wp-json\/wp\/v2\/categories?post=3423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kuenstlerische-interventionen.de\/en\/wp-json\/wp\/v2\/tags?post=3423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}